| |
 |
16:9 Aspect Display Mode on EVF and LCD for distortion free Squeeze Mode or Anamorphic Display |
 |
| |
 |
Higher resolution 235,000 pixel .44" BW/color switchable electronic viewfinder (EVF) with superimposed audio metering |
 |
| |
 |
Higher resolution 210,000 pixel flip-out 270 degree 3.5" LCD display with superimposed audio metering |
 |
| |
 |
Remote focus and iris control with optional VariZoom controller(s) and others |
 |
| |
 |
LCD panel has a bit of a break-away beyond the 90 degree point |
 |
| |
 |
Single Button Display Character Off for LCD and EVF |
 |
| |
 |
What you see is what you get on LCD and EVF |
 |
| |
 |
Scene files transfer over FireWire |
 |
| |
 |
Time code transfers over Firewire |
 |
| |
 |
1/3" 3-CCD Mini-DV camcorder with exclusive CineSwitchTM technology |
 |
| |
 |
Rugged magnesium alloy diecast chassis |
 |
| |
 |
Outstanding sensitivity of F11 @ 2000 lux |
 |
| |
 |
Supports 480i/60 (NTSC), Cinema-style 480p/24fps, and 480p/30fps image capture |
 |
| |
 |
Precision wide-angle Leica Dicomar lens with Servo/Manual Zoom (with stops & barrel markings) |
 |
| |
 |
Auto/manual focus F1.6 with 72mm filter size and advanced optical image stabilization |
 |
| |
 |
Conventional 4:3 aspect ratio and 16:9 letterbox image capture modes |
 |
| |
 |
16 x 9 anamorphic - letterbox and digital squeeze |
 |
| |
 |
Conventional video gamma and CineGammaTM operational modes |
 |
| |
 |
Seven gamma settings - L, M, H, CINE-LIKE, + CINE-LIKE D, CINE-LIKE V, Black Press |
 |
| |
 |
Four knee settings - Auto, Low, Mid, High |
 |
| |
 |
Four color matrix settings - Norm, Enriched, Fluor, Cine |
 |
| |
 |
Three vertical detail level settings in progressive mode - Thin, Mid, Thick |
 |
| |
 |
Up to +12dB gain in progressive mode |
 |
| |
 |
2-channel XLR audio inputs with phantom power supply (+48V) and manual audio levels |
 |
| |
 |
S-Video, Video & Stereo Audio IN and OUT |
 |
| |
 |
Standard IEEE 1394 FireWire interface (in/out) for transfer of digital video/audio to NLE platforms |
 |
| |
 |
One Shot recording capability |
 |
| |
 |
Unique pre-cleaning heads and auto head cleaning to maximize reliability |
 |
| |
 |
Well balanced and highly portable: 4.4 pounds in full operating condition |
 |
| |
 |
Longer-lasting 5400mA standard battery |
 |
| |
 |
Slow Shutter - 24P - 1/6, 1/12, 30P - 1/4, 1/8, 1/15, 60i - 1/4, 1/8, 1/15, 1/30 |
 |
| |
 |
Edge enhancement for easy focusing - Peaking (switchable on/off) in LCD and EVF |
 |
| |
 |
Auto focus assist in progressive mode |
 |
| |
 |
Built-in SMPTE color bars in interlace and progressive modes |
 |
| |
 |
Three user-programmable buttons are assignable to any one of 11 functions |
 |
| |
 |
Color drop-down display mode for menu choices |
 |
| |
 |
End Search Camera function - no longer necessary to go to VCR mode to search up to the end of the recording |
 |
| |
 |
Menu change on Tape Protect to read Power Save |
 |
| |
 |
MOD (Minimum Object Distance) - 0.6 meter |
 |
| |
 |
Two zebra settings - 80-105% |
 |
| |
 |
CineSwitchTM Scene File Dial is more protected from unintentional changes |
 |
| |
 |
Slower middle zoom speed |
 |
| |
 |
Color level, brightness and contrast adjustment - separate LCD and EVF settings |
 |
| |
 |
More sensitive on-camera microphone |
 |
| |
 |
Audio off tape or live E-E for delay free (echo free) monitoring (menu choice) |
 |
| |
 |
Speaker position has moved to top of camera (was behind LCD) |
 |
| |
 |
Heavy-duty tripod connection |
 |
| |
 |
Black Sapphire color, Barrel Paint is textured to reduce fingerprints |
 |
| |
 |
ROHS compliant manufacturing assuring environmentally correct parts and methodology |
 |